Reid and Linda go to visit Abby. She is not doing well. Reid says he would like to do a memory recall exercise with her, if she’s feeling up to it. Anytime Spencer, anytime.

Apparently locals call it “Suicide 7” which does not bode well. Reid says: “Two lanes, no dividers, I would imagine there are a lot of head-on collisions.”

We see him walk from the bathroom to the kitchen and drink milk out of the carton like a heathen. He eats the rest of his sammich, however he takes it apart before eating, and stuffs the bread in his bullet wound??

Prentis then asks Danny if he and Kyle played together. And Danny says: “Only when I had to. He was always breaking my stuff. Not gonna miss that.”

There isn’t any obvious connection between the victimology of either of the victims. The only common denominator between the two is that they were staying at the same hotel.

We also see a woman and her young son named Jesse. Jesse wants to hold the popcorn. The popcorn is as big as he is. And she goes: “Don’t spill it Jesse” and he immediately drops the popcorn and she goes: “JESSE!”

The Reaper walks away to “check some things”, comes back and is like “I’m going to let you off with a warning” to which the driver is like “a warning for what” and the reaper is like “for being at the wrong place at the wrong time!”

Emily shows up at the BAU. She tells Hotch about the loss of her friend. He offers her help but also tells her to take a few days to take care of herself, which is a very novel idea coming from Hotch, in my opinion.

The phone rings and they originally want Prentis to answer, but it goes to voicemail, and we hear HER say “Aaron, its me” and she is calling them! She’s like “i know you’re there!”

Rossi and JJ ask her to write that the BAU knows what the unsub’s signature is- even though they don’t actually know what it is. They’re like, you gotta do a good job, Paula. And Paula’s like, I know how to write, I’m Cleveland’s Number One Source of Crime News. 

Prentis and Hotch are looking in town; apparently Brooke had worked the closing shift the night she disappeared; it was an upscale rest. So he took her when she was leaving – a 11pm surprise attack.

And the son replies: “Do I have to meet her this way?” And the father says: “We’ve been talking about this moment your whole life.” And the mother adds: “You’re almost 10. You’re becoming a man.”

Reid was able to identify that it appears to be written by two different authors. He is like, so excited by this (I would be too), and the cop is like, where did you find this kid? And Rossi says “he was left in a basket on the steps of the FBI”. 

Cut to the Karen-esque driver who cut Norm off. She’s talking on the phone using a headpiece and she goes: “The principal’s office called. Yeah- plagiarism. (haha).”

Morgan proves that this wasn’t gang related because the dash cam on the car only saw one attacker, but also the only reason they even saw his face on the dash cam was because the two cops broke protocol by splitting up.

“…If you are smarter and (puts on a furry top hat) more interesting then you will be a better predator. Because this is the jungle my friends.”

“In a bit less than 9 hours five more will be dead. Unless you can find a way to save them.” And then we flourishes and throws the photographs down the stairs and this is when i went into orbit. Absolute orbit. 

Back in Vegas BABY. We learn that Reilly Jenkins’ father Lou was supposed to pick Reilly up from TBall practice at 4pm. But Lou got delayed, prompting Reilly to walk the 3 blocks home.

She answers and the unsub has a voice filter thing on. The unsub asks if she is home and alone, she says she is there with her husband, and the unsub is like “why are you home? You should be out looking for your boy!”

And then all of a sudden, as if it’s the vernacular, Morgan is saying: “So if a bo jumps off one of these trains in a new town, is there some place he goes first?”